At the heart of London’s underground music scene lies Printworks London-a raw, industrial space where the thump of basslines echoes through concrete walls once used to print newspapers. This isn’t just another club. It’s a living archive of sound, history, and community. If you’ve ever stood in a crowd, sweat and energy swirling, as a track you’ve never heard before tears through the room, you know what Printworks does better than almost anywhere else: it turns a night out into a memory that sticks.
Printworks opened in 2018 in a disused 1970s printing plant near Surrey Quays. Before it became a dance floor, this building churned out millions of newspapers, including The Times and The Guardian. The massive printing presses, steel beams, and concrete floors were left untouched-not because no one cared, but because they were too perfect to hide. The founders didn’t try to make it glamorous. They didn’t add velvet curtains or chandeliers. They let the building speak. And it whispered: “This is where music belongs.”
Today, it’s one of the few venues in Europe that still operates in a true industrial setting. No LED screens. No fake brick walls. Just raw concrete, exposed ducts, and the occasional drip of condensation from the high ceilings. It’s not pretty-it’s powerful.
Printworks London runs on three simple rules: sound quality, space, and authenticity. The sound system? A custom-built 400,000-watt setup designed by the same team behind Berghain’s legendary rig. It’s not just loud-it’s tactile. You feel the sub-bass in your ribs. The lighting? Minimal. Strobe lights, fog, and the occasional shaft of sunlight through broken windows during early morning sets. No VIP areas. No bottle service. No dress code. Just people, music, and the building.
The layout is split into three main rooms: the Main Hall, the Warehouse, and the Garden. Each has its own sound system, DJ, and vibe. The Main Hall is for heavy techno and house. The Warehouse leans into experimental and industrial. The Garden? That’s where the sun rises and the music slows down-think ambient, jazz, and deep house.
Most clubs try to be immersive. Printworks doesn’t try-it just is. Here’s how it stacks up:
| Feature | Printworks London | Typical Nightclub |
|---|---|---|
| Architecture | Original industrial building | Renovated retail or office space |
| Sound System | Custom 400kW, studio-grade | Standard club rig, 50k-100kW |
| Lighting | Minimal, natural light | LED walls, synchronized effects |
| Capacity | 4,000+ | 1,000-2,000 |
| Atmosphere | Raw, unpolished, communal | Polished, commercial, exclusive |
Anyone who’s ever felt music in their bones. It’s not for people looking for a fancy cocktail or a selfie backdrop. It’s for those who want to lose themselves in a beat, to forget the time, to feel part of something bigger than a night out. DJs from Berlin, Tokyo, and Detroit come here to play because they know: if you can move a crowd here, you can move them anywhere.
Regulars range from engineers who work in nearby warehouses to students who take the train from East London just to catch the sunrise set. It’s not about status. It’s about surrender.
The sound system at Printworks isn’t just powerful-it’s precise. Every kick, every hi-hat, every bassline is delivered with clarity you won’t find in most studios. The space’s acoustics, shaped by high ceilings and hard surfaces, allow low frequencies to travel without muddying. People say they hear details in tracks they’ve listened to a hundred times. That’s not magic. It’s engineering. The system was built by sound engineers who’ve worked with Abbey Road and Berghain. They didn’t just install speakers-they built a sonic temple.
There’s something about dancing in a space that used to print the news that makes you feel connected to history. You’re not just listening to music-you’re standing where headlines were made. The crowd doesn’t care if you’re rich, famous, or from another country. You’re all here because the music pulled you in. It’s rare to feel so anonymous and so deeply connected at the same time.
In a city where every bar has a branded cocktail and every club has a waiting list for VIP tables, Printworks feels like a rebellion. No corporate sponsors. No bottle girls. No Instagram influencers taking ten-minute selfies. Just music, sweat, and a few hundred strangers moving as one. It’s a reminder that nightlife doesn’t need to be polished to be perfect.
For producers and DJs, Printworks is a benchmark. If your track works here, it works. For fans, it’s a masterclass in how space and sound can transform a song. Many leave with a new favorite artist, a new genre, or even a new way of listening. It’s not just a party-it’s a sonic education.
You’ll find Printworks in a quiet industrial zone near Surrey Quays. The entrance is unmarked-no neon sign, no bouncer in a suit. Just a door. Walk through, and you’re dropped into a cavernous space lit by flickering bulbs and the glow of fog machines. The air smells like old concrete, sweat, and diesel from the generators. It’s cold in winter, humid in summer. No climate control. No air fresheners. Just the real deal.
There’s no script. But here’s what usually happens:
You can stay for two hours or twelve. You can dance alone or with five strangers who became your crew by 3 AM. You can stick to one room or hop between them. There’s no schedule posted-sets change last-minute. That’s part of the charm. You don’t plan your night at Printworks. You let it happen.
There’s no need to dress up. Jeans, boots, and a jacket are fine. Bring cash-no card payments inside. Water is free. Food trucks serve tacos and kebabs until 4 AM. The staff doesn’t talk much. They don’t need to. They’ve seen it all. Just be respectful. Don’t block the speakers. Don’t shout over the music. And if you’re new? Smile. Someone will tap you on the shoulder and say, “You’re in the right place.”
Plan your transport. The nearest Tube is Surrey Quays (Jubilee Line). Taxis are hard to find after 3 AM. Bring layers-industrial spaces get chilly. A small backpack with water, a phone charger, and earplugs (yes, they’re loud) is all you need. Leave the designer bag at home. No one’s taking photos.
Check their official website for lineups. Follow them on Instagram-they post last-minute set changes. Don’t rely on third-party apps. Their system is simple: buy tickets online, show ID, walk in. No VIP passes. No guest lists. If you’re a DJ? They don’t take demos. They book by reputation. If you’re a fan? Just show up.
First-timers often feel overwhelmed. That’s normal. Pick one room. Stay there. Let the sound pull you in. If you’re with a partner, agree on a meeting spot if you get separated. Most people wander. That’s okay. You’ll find each other again-probably near the taco truck at 5 AM.
You won’t find a DJ spinning on a glowing stage. You’ll find a room full of people moving as one, surrounded by concrete, steel, and sound so deep it vibrates your chest. The lights are dim, the air is thick, and the music doesn’t stop until sunrise. There’s no bar with a menu-just free water and cheap food trucks. You won’t leave with a branded cocktail. You’ll leave with a story.
A typical session lasts 12-14 hours. The Main Hall kicks off with techno at midnight. By 3 AM, the Warehouse switches to experimental noise or industrial. The Garden starts at 5 AM with ambient or jazz. No DJ plays the same set twice. No two nights are alike. People come back week after week because they never know what they’ll hear.
Most clubs are designed for consumption. Printworks is designed for experience. There’s no bottle service, no VIP section, no branded merchandise. The building itself is the attraction. The sound system is engineered for immersion, not volume. And the crowd? They’re there for the music-not the photo op. It’s the closest thing to a cathedral of sound in a city full of noise.
The method is simple: let the space and the sound do the work. No gimmicks. No lights synced to beats. No screens. Just powerful audio, raw architecture, and a crowd that’s there to feel, not to post. The DJs play long sets-sometimes 6 hours straight. The goal isn’t to keep you dancing all night. It’s to take you somewhere else.
Printworks is run by a team with decades of experience in underground music. They’ve worked with Berghain, Fabric, and Boiler Room. No third-party promoters. No corporate backing. The team vets every DJ and sound engineer personally. If a set feels off, they shut it down. That’s how they’ve stayed trusted for six years.
Bag checks are quick and respectful. Security is visible but not aggressive. Water stations are free and available 24/7. If you’re feeling unwell, staff will help you to a quiet area. No drugs are sold on-site, but harm reduction volunteers are present. Earplugs are available at the entrance-use them.
| Practice | Purpose | Example |
|---|---|---|
| Free water stations | Prevent dehydration | Every 20 meters |
| Earplugs available | Protect hearing | At entry and exits |
| No professional cameras | Protect privacy | Phones allowed, not DSLRs |
Consent is non-negotiable. If someone’s dancing too close, you can step away. Staff will help without judgment. No one is expected to dance with anyone. This is a space for personal expression-not forced interaction.
If you have heart conditions, hearing sensitivity, or mobility issues, speak to staff before entering. The floors are uneven. The space is dark. No ramps. It’s not ADA-compliant. But they’ll help you find the best spot. If you’re pregnant, or on medication, check with your doctor first. Loud, long sets aren’t for everyone.
After a Printworks night, many go for a walk along the River Thames. The quiet after the storm helps the music settle. Some journal. Others just sit and listen to birds. It’s a natural cooldown. If you’re into sound design, try listening to ambient recordings of the venue online-it’s a different way to feel the space.
You can come alone. You’ll leave with new friends. Or come with a crew. You’ll still feel the same awe. The magic isn’t in who you’re with-it’s in what you’re feeling. Many regulars say they’ve met their partner here. Others say they found peace after a breakup. It doesn’t matter why you came. What matters is that you stayed.
Earplugs are essential. A small flashlight helps if you’re lost in the dark corners. A jacket for the walk home. That’s it. No need for glow sticks, LED wristbands, or fancy bags. The building doesn’t need decoration. You don’t need props. Just your body and your ears.
One night is unforgettable. Ten nights change you. Regulars say they start to recognize the sound of certain DJs before they even hear the first beat. The space becomes a second home. It’s not a club. It’s a ritual.
Check their official website and Instagram. They post all lineups, set times, and updates. No third-party ticket sellers. No fake promoters. If a site says “VIP access,” it’s not real. Printworks doesn’t do VIP.
Reddit’s r/PrintworksLondon is full of real stories, setlists, and tips. The official YouTube channel has recordings from past events. Not all are live, but they capture the vibe. Join their newsletter. They send out free tickets to loyal fans.
Printworks operates under strict licensing. No alcohol is sold inside. It’s a “non-alcohol venue,” which lets them stay open until sunrise. This is rare in the UK. It’s also why the crowd is more focused on music than drinking. Respect the rules. They’re there to protect the space.
Watch the documentary “Printworks: The Sound of a City”. Read interviews with the founders in Resident Advisor. Listen to mixes from DJs who’ve played there-many are available on SoundCloud. The more you listen, the more you’ll hear.
Printworks London isn’t about trends. It’s about truth. In a world where everything is curated, it’s one of the last places that lets you just be. You don’t need to be cool. You don’t need to know the music. You just need to show up.
If you’re curious, go once. Go alone. Go without expectations. Let the space do the talking. You might not love it. But you’ll never forget it.
Tried Printworks London? Share your story in the comments. Follow for more underground guides from Bristol to Berlin. And if you go-don’t take a photo. Just feel it.
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