Every month, Printworks London DJs redefine what a night out can feel like. This isn’t just another club night - it’s a sonic pilgrimage for those who live for bass that shakes your ribs and beats that don’t let go until sunrise. If you’re wondering who’s spinning the tracks that turn the warehouse into a cathedral of sound, you’re in the right place. This month’s lineup isn’t just a list of names - it’s a curated journey through techno, house, and experimental electronic music, pulled straight from the pulse of London’s underground scene.
Printworks opened its doors in 2017 in a former printing factory in Southwark, right next to the Thames. It wasn’t built to be trendy - it was built to be raw. The high ceilings, exposed brick, and industrial steel beams weren’t decor choices; they were the building’s original bones. Unlike clubs designed for VIP sections and bottle service, Printworks was made for music first. The sound system? A 100,000-watt Funktion-One setup, engineered to deliver every sub-bass note with surgical precision. It’s the kind of place where DJs don’t just play tracks - they sculpt the air around you.
There are three things that make Printworks different: space, sound, and schedule. The venue holds about 2,500 people, but it never feels crowded because the layout is designed to flow - three main rooms, each with its own sonic identity. The Main Room is for deep techno and minimal grooves. The Studio is where experimental and leftfield sounds thrive. The Garden, open in warmer months, leans into house and disco. No stage. No barriers. Just you, the music, and the crowd moving as one. The DJs here aren’t hired for their Instagram following - they’re booked for their ability to read a room and take it somewhere unexpected.
Compared to other London clubs like Fabric or The Warehouse Project, Printworks doesn’t chase trends. It doesn’t host celebrity DJs for one-night pop-ups. Instead, it builds relationships with artists who understand the space. While Fabric leans toward house and tech-house, and The Warehouse Project rotates international headliners, Printworks focuses on long sets - often 4 to 6 hours - with artists who treat their sets like live compositions. Here’s how they stack up:
| Venue | Typical Set Length | Music Focus | Atmosphere |
|---|---|---|---|
| Printworks London | 4-6 hours | Techno, minimal, experimental | Industrial, immersive, no distractions |
| Fabric | 2-4 hours | House, tech-house | Intimate, clubby, VIP-focused |
| The Warehouse Project | 3-5 hours | International headliners, diverse genres | Event-driven, festival vibe |
You don’t need to be a seasoned raver to feel at home here. Whether you’re a 20-year-old discovering techno for the first time or a 40-year-old who still remembers the early days of Berghain, Printworks welcomes you. It’s ideal for people who value music over spectacle. If you’ve ever left a club feeling like you were just part of the crowd - not part of the experience - this is where you’ll finally feel heard. The crowd here doesn’t care about your outfit or your status. They care about the next beat.
When a DJ plays on a Funktion-One system in a space designed to resonate with low frequencies, you don’t just hear the music - you feel it in your chest, your bones, your breath. Studies from the Institute of Sound and Vibration Research show that low-frequency sound, when delivered cleanly, can reduce stress hormones and elevate mood. At Printworks, that’s not theory - it’s Tuesday night. People leave with tired legs and smiling faces, not because they drank too much, but because their nervous systems got a reset.
Forget algorithm-driven playlists. At Printworks, you’ll hear tracks you’ve never heard before - and might never hear again. DJs like Nina Kraviz, Ben Klock, and Peggy Gou don’t just play their latest releases; they dig deep into their crates. You might hear a 1998 Detroit techno bootleg followed by a 2025 unreleased demo from a Berlin producer. This is where music evolves - not on TikTok, but in the dark, in front of a crowd that’s listening, not scrolling.
There’s no bouncer checking your designer label. No one’s taking photos for their Stories. The energy here is quiet but intense - a shared focus on the music. You’ll find students, engineers, artists, and retirees all dancing side by side. It’s rare to find a space where social status disappears. At Printworks, the only thing that matters is whether the next track makes you move.
In a world of constant notifications and curated feeds, Printworks offers silence between the beats. The lights stay low. No screens. No ads. Just sound and movement. People describe it as a digital detox with a beat. After a long week, this isn’t just entertainment - it’s therapy.
Arrive at 11 PM. The queue snakes around the block, but it moves fast. You’ll pass through a dimly lit corridor lined with old printing machines - a reminder of the building’s past. Once inside, the air changes. It’s cooler. Louder. Smells like sweat, incense, and old vinyl. The Main Room glows with strobes that don’t flash - they pulse, like a heartbeat. The sound hits you before you see the DJ. You’ll know you’re in the right place when you realize you’ve stopped thinking about anything else.
Step 1: Buy tickets online in advance. Walk-ins are rare and expensive. Step 2: Dress for movement - no heels, no heavy coats. Step 3: Skip the bottle service. You won’t need it. Step 4: Let go of your phone. Put it in a locker or leave it in your bag. Step 5: Find a spot near the speakers, but not right in front. Let the sound wash over you. Step 6: Stay until the end. The best moments happen after 4 AM.
Printworks doesn’t force you into one vibe. Want deep techno? Head to the Main Room. Feel like something groovy? The Studio has a rotating roster of house and disco selectors. If you’re there on a weekend, check the Garden - it’s open for outdoor sets with ambient lighting and chilled beats. You can hop between rooms. No one will stop you. The beauty is in the freedom to explore.
There’s no need to know the DJ’s setlist. That’s the point. But if you’re new, check Printworks’ Instagram or website the day before - they post the full lineup and start times. Arrive early enough to get a good spot. Bring cash for drinks (card machines sometimes lag). And don’t worry if you don’t know the music - that’s how you find your next favorite track.
This month’s lineup is one of the strongest in years. Here’s who’s shaping the sound:
Each artist brings something different, but they all share one thing: they respect the space. No pyrotechnics. No gimmicks. Just music, delivered with care.
You can expect four nights of music that doesn’t compromise. No pop remixes. No commercial drops. Just deep, immersive sets from artists who’ve spent years mastering their craft. The crowd is respectful, the sound is pristine, and the energy builds slowly - peaking just before sunrise. If you’re looking for a night where the music comes first, this is it. The vibe is intense but not aggressive. You’ll leave tired, but in the best way.
A set here isn’t a performance - it’s a journey. DJs play for hours, building tension with subtle loops, then releasing it with a single kick drum. The lighting shifts slowly, matching the mood. People move in waves - sometimes still, sometimes wild. You’ll see strangers dancing together, eyes closed, lost in the rhythm. There’s no stage, so you’re always close to the music. The experience is physical, emotional, and often spiritual.
Most clubs are designed to sell drinks and create Instagram moments. Printworks is designed to host music. The sound system is one of the best in the world. The layout encourages exploration, not bottlenecks. The crowd is here for the music, not to be seen. And the DJs? They’re booked for their artistry, not their follower count. It’s the closest thing London has to a temple of electronic music.
Printworks doesn’t use agents or booking agencies for most of its core artists. Instead, they build long-term relationships with producers and selectors who understand the space. Many DJs return year after year because they know the crowd will listen. The venue also supports emerging talent - you’ll often find unsigned artists opening for bigger names. It’s a community-driven model, not a corporate one.
Printworks has a reputation for booking only artists with proven track records. You won’t find influencers or TikTok DJs here. The team behind the scenes includes sound engineers who’ve worked with major festivals like Awakenings and Dekmantel. Security is visible but not aggressive - they’re there to keep things safe, not to control the vibe.
Hydration is key. Water stations are free and plentiful. The venue is well-ventilated, and there are chill-out zones if you need to step away. No drugs are sold on-site, and staff are trained to assist anyone in distress. If you’re feeling overwhelmed, find a volunteer - they wear green armbands and are there to help, not judge.
Consent is non-negotiable. Printworks has a zero-tolerance policy for harassment. If you feel uncomfortable, report it immediately. The staff respond fast. This is a space where everyone deserves to feel safe.
If you have a heart condition, sensitivity to loud sound, or are pregnant, consult your doctor before attending. The bass levels here are not for everyone. If you’re new to loud environments, start with a shorter set or sit near the back. It’s okay to take breaks.
Try meditating for 10 minutes before you go. It helps you tune into the music more deeply. Or journal afterward - write down the track that moved you the most. Many regulars say this practice turns a night out into a personal ritual.
You can go alone and feel completely at home. In fact, most people do. But if you come with a friend, make a pact: no phones. Just music and presence. You’ll remember this night more than any party where everyone was scrolling.
Earplugs are highly recommended. Printworks sells custom-musician-grade ones at the bar for £5. They reduce volume without killing clarity. A small towel for your neck helps if it gets hot. That’s it. You don’t need fancy gear - just your body and your attention.
Going once is powerful. Going monthly? Life-changing. Regulars say they sleep better, feel less anxious, and reconnect with their love of music. It’s not magic - it’s consistency. The more you show up, the more the space works for you.
Check Printworks’ official website and Instagram for verified lineups. Avoid third-party ticket resellers - they often overcharge. The venue’s own site lists every DJ with their bio and past sets. Trust the source.
Join the r/Printworks subreddit or the Printworks Discord server. Regulars share tips, tracklists, and afterparties. You’ll find people who’ve been coming since 2017 - they’re happy to help newcomers.
Printworks operates under UK licensing laws. All events are legal, and the venue complies with noise regulations. It’s a respected cultural institution - even the local council supports it. This isn’t an underground rave. It’s a licensed, professional space with a soul.
Watch the Printworks Sessions YouTube channel. They archive full sets from past events. Read Techno: The Rough Guide by Simon Reynolds for context. Listen to Resident Advisor’s monthly picks - they often feature Printworks artists.
Printworks isn’t just a club. It’s a reminder that music, when given space and respect, can heal, move, and connect us in ways nothing else can. This month’s DJs aren’t just playing tracks - they’re offering a gift: a night where you’re not a consumer, but a participant.
Go with an open mind. Leave your expectations behind. Let the music lead you. If you’ve never felt truly lost in a beat, this is where it happens.
Tried Printworks this month? Share your favorite track in the comments. Follow for monthly lineups and hidden gems in London’s underground scene. Let’s keep the music alive - one beat at a time.
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